generative color – CSS-Tricks https://css-tricks.com Tips, Tricks, and Techniques on using Cascading Style Sheets. Tue, 20 Sep 2022 17:11:42 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.1 https://i0.wp.com/css-tricks.com/wp-content/uploads/2021/07/star.png?fit=32%2C32&ssl=1 generative color – CSS-Tricks https://css-tricks.com 32 32 45537868 Embrace the Unpredictable https://css-tricks.com/embrace-the-unpredictable/ https://css-tricks.com/embrace-the-unpredictable/#comments Wed, 01 Dec 2021 15:47:46 +0000 https://css-tricks.com/?p=357344 In nature, no two things are ever the same. Life is imperfect, unpredictable, and beautiful. We can walk through the same forest every day and see differently colored leaves. We can look up at the clouds every minute and watch …


Embrace the Unpredictable originally published on CSS-Tricks, which is part of the DigitalOcean family. You should get the newsletter.

]]>
In nature, no two things are ever the same. Life is imperfect, unpredictable, and beautiful. We can walk through the same forest every day and see differently colored leaves. We can look up at the clouds every minute and watch a whole new formation. The physical world is transient and ever-changing. What if our designs were a little more like this?

Often, we spend hours, weeks, even months carefully crafting our websites/applications, sculpting every last pixel until they are just right. Then, we set them free into the world — a perfectly formed, yet static snapshot of something that once was a living, evolving thing.

There is (of course!) nothing wrong with this way of working. But what if we let go of the idea that there can be only one final version of a design? What if our interfaces were free to take more than one form?

I could write forever about this stuff, but I think it’s best to show you what I mean. Naturally, here’s a Pen:

Try clicking the “Regenerate” button above. Notice how the interface changes just a little every time? By parameterizing aspects of a design, then randomizing those parameters, we can create near-infinite variations of a single idea. For those familiar with generative art — art made using a system that includes an element of autonomy — this is likely a familiar concept.

For makers (particularly perfectionists like me!), this approach to design can be incredibly liberating.

For the folk who use the things we make, it creates an experience that is truly individual. In randomizing carefully chosen aspects of our interfaces, they become ephemeral, and to me, this is kind of magical. No two people will ever see the same version of our work.

The web can be a cold, sterile place. By embracing the unpredictable, we can add a joyful, organic touch to our creations — to me, this is the essence of generative UI design, and I would love if you gave it a try! SVG, Canvas, and CSS/Paint API are all excellent mediums for generative work, so pick the one that is most familiar and experiment.

Just remember: apply carefully, and always be mindful of accessibility/UX. Magically evolving designs are great, but only if they are great for everyone.


Embrace the Unpredictable originally published on CSS-Tricks, which is part of the DigitalOcean family. You should get the newsletter.

]]>
https://css-tricks.com/embrace-the-unpredictable/feed/ 4 357344
Re: Pleasing Color Palettes https://css-tricks.com/re-pleasing-color-palettes/ https://css-tricks.com/re-pleasing-color-palettes/#comments Fri, 11 Jan 2019 21:43:14 +0000 http://css-tricks.com/?p=279771 There are so many tools out there to help you pick colors. I totally get it! It’s hard! When colors are done well, it’s like magic. It adds a level of polish to a design that can really set it …


Re: Pleasing Color Palettes originally published on CSS-Tricks, which is part of the DigitalOcean family. You should get the newsletter.

]]>
There are so many tools out there to help you pick colors. I totally get it! It’s hard! When colors are done well, it’s like magic. It adds a level of polish to a design that can really set it apart.

Let’s look at some, then talk about this idea some more.

Here’s one I just saw called Color Koala:

It spits out five colors at ya and you’re off to the races.

Hue will give you some too.

There’s a billion more, and they vary in approach and features, of course. Here’s a handful:

Then there are tools that focus on gradients, like UI Gradients, Web Gradients, and Shapy.

Oh! And a site that helps with text color while keeping accessibility in mind.

There are even native apps like Sip, ColorSnapper, and Frank DeLoupe that help you select colors and sometimes keep your palettes right within them.

Colors can be programatically generated.

There is no native JavaScript API for it, but it’s still basically a one-liner:

See the Pen Generate New Random Hex Color with JavaScript by Chris Coyier (@chriscoyier) on CodePen.

Pleasing colors can be as well.

Generating random colors won’t guarantee pleasing palettes, especially if a bunch of random colors are paired together. PleaseJS can help build color schemes that work together. You provide it a base color and other options (like what type of color scheme) and it spits out colors for you.

See the Pen Generate Pleasing Colors by Chris Coyier (@chriscoyier) on CodePen.

Similarly, randomColor.js

gen­er­ates at­trac­tive col­ors by de­fault. More specif­i­cally, ran­dom­Color pro­duces bright col­ors with a rea­son­ably high sat­u­ra­tion. This makes ran­dom­Color par­tic­u­larly use­ful for data vi­su­al­iza­tions and gen­er­a­tive art.

It doesn’t claim to make multiple colors part of a cohesive theme aside from passing in a base hue or luminosity.

See the Pen Generate Pleasing Colors by Chris Coyier (@chriscoyier) on CodePen.

But the thing about just being handed colors is…

…they don’t exactly tell you how to use them. Steve Schoger makes a point of this, rather hilariously in a blog post. This is a perfectly lovely color palette:

But if you just pick those colors and plop them onto a design, you could end up with something like this:

You might like that, but you’d be in the minority. It’s not a refined design that gets out of the way and would be nice to use every day. Color usage is a bit more complicated than plopping five nice colors into a design. It’s variations on those and using them in tasteful ways, like this:

Picking up Steve Schoger and Adam Wathan’s book surely has some advice for you there!


Re: Pleasing Color Palettes originally published on CSS-Tricks, which is part of the DigitalOcean family. You should get the newsletter.

]]>
https://css-tricks.com/re-pleasing-color-palettes/feed/ 7 279771
Converting Color Spaces in JavaScript https://css-tricks.com/converting-color-spaces-in-javascript/ https://css-tricks.com/converting-color-spaces-in-javascript/#comments Thu, 10 Jan 2019 15:07:25 +0000 http://css-tricks.com/?p=280978 A challenge I faced in building an image “emojifier” was that I needed to change the color spaces of values obtained using getImageData() from RGB to HSL. I used arrays of emojis arranged by brightness and saturation, and they were …


Converting Color Spaces in JavaScript originally published on CSS-Tricks, which is part of the DigitalOcean family. You should get the newsletter.

]]>
A challenge I faced in building an image “emojifier” was that I needed to change the color spaces of values obtained using getImageData() from RGB to HSL. I used arrays of emojis arranged by brightness and saturation, and they were HSL-based for the best matches of average pixel colors with the emojis.

In this article, we’ll study functions that will be useful for converting both opaque and alpha-enabled color values. Modern browsers currently support the color spaces RGB(A), hex, and HSL(A). The functions and notations for these are rgb(), rgba(), #rgb/#rrggbb, #rgba/#rrggbbaa, hsl(), and hsla(). Browsers have always supported built-in names like aliceblue as well.

Balls with color values being inserted into a machine and coming out as HSL

Along the way, we’ll encounter use of some color syntaxes provided by a new Level 4 of the CSS Colors Module. For example, we now have hex with alpha as we mentioned (#rgba/#rrggbbaa) and RGB and HSL syntaxes no longer require commas (values like rgb(255 0 0) and hsl(240 100% 50%) became legal!).

Browser support for CSS Colors Level 4 isn’t universal as of this writing, so don’t expect new color syntaxes to work in Microsoft browsers or Safari if trying them in CSS.

RGB to Hex

Converting RGB to hex is merely a change of radices. We convert the red, green, and blue values from decimal to hexadecimal using toString(16). After prepending 0s to single digits and under, we can concatenate them and # to a single return statement.

function RGBToHex(r,g,b) {
  r = r.toString(16);
  g = g.toString(16);
  b = b.toString(16);

  if (r.length == 1)
    r = "0" + r;
  if (g.length == 1)
    g = "0" + g;
  if (b.length == 1)
    b = "0" + b;

  return "#" + r + g + b;
}

Hex from RGB in String

Alternatively, we can use a single string argument with the red, green and blue separated by commas or spaces (e.g. "rgb(255,25,2)", "rgb(255 25 2)"). Substring to eliminate rgb(, split what’s left by the ), then split that result’s first item by whichever the separator (sep) is. r, g, and b shall become local variables now. Then we use + before the split strings to convert them back to numbers before obtaining the hex values.

function RGBToHex(rgb) {
  // Choose correct separator
  let sep = rgb.indexOf(",") > -1 ? "," : " ";
  // Turn "rgb(r,g,b)" into [r,g,b]
  rgb = rgb.substr(4).split(")")[0].split(sep);

  let r = (+rgb[0]).toString(16),
      g = (+rgb[1]).toString(16),
      b = (+rgb[2]).toString(16);

  if (r.length == 1)
    r = "0" + r;
  if (g.length == 1)
    g = "0" + g;
  if (b.length == 1)
    b = "0" + b;

  return "#" + r + g + b;
}

In addition, we can allow strings with channel values as percentages by adding the loop after redefining rgb. It’ll strip the %s and turn what’s left into values out of 255.

function RGBToHex(rgb) {
  let sep = rgb.indexOf(",") > -1 ? "," : " ";
  rgb = rgb.substr(4).split(")")[0].split(sep);

  // Convert %s to 0–255
  for (let R in rgb) {
    let r = rgb[R];
    if (r.indexOf("%") > -1)
      rgb[R] = Math.round(r.substr(0,r.length - 1) / 100 * 255);
      /* Example:
      75% -> 191
      75/100 = 0.75, * 255 = 191.25 -> 191
      */
  }

  ...
}

Now we can supply values like either of these:

  • rgb(255,25,2)
  • rgb(255 25 2)
  • rgb(50%,30%,10%)
  • rgb(50% 30% 10%)

RGBA to Hex (#rrggbbaa)

Converting RGBA to hex with the #rgba or #rrggbbaa notation follows virtually the same process as the opaque counterpart. Since the alpha (a) is normally a value between 0 and 1, we need to multiply it by 255, round the result, then convert it to hexadecimal.

function RGBAToHexA(r,g,b,a) {
  r = r.toString(16);
  g = g.toString(16);
  b = b.toString(16);
  a = Math.round(a * 255).toString(16);

  if (r.length == 1)
    r = "0" + r;
  if (g.length == 1)
    g = "0" + g;
  if (b.length == 1)
    b = "0" + b;
  if (a.length == 1)
    a = "0" + a;

  return "#" + r + g + b + a;
}

To do this with one string (including with percentages), we can follow what we did earlier. Also note the extra step of splicing out a slash. Since CSS Colors Level 4 supports the syntax of rgba(r g b / a), this is where we allow it. Alpha values can now be percentages! This removes the 0-1-only shackles we used to have. Therefore, the for loop cycling through rgba shall include a part to wipe the % from the alpha without multiplying by 255 (when R is 3 for alpha). Soon we can use values like rgba(255 128 0 / 0.8) and rgba(100% 21% 100% / 30%)!

function RGBAToHexA(rgba) {
  let sep = rgba.indexOf(",") > -1 ? "," : " "; 
  rgba = rgba.substr(5).split(")")[0].split(sep);
                
  // Strip the slash if using space-separated syntax
  if (rgba.indexOf("/") > -1)
    rgba.splice(3,1);

  for (let R in rgba) {
    let r = rgba[R];
    if (r.indexOf("%") > -1) {
      let p = r.substr(0,r.length - 1) / 100;

      if (R < 3) {
        rgba[R] = Math.round(p * 255);
      } else {
        rgba[R] = p;
      }
    }
  }
}

Then, where the channels are converted to hex, we adjust a to use an item of rgba[].

function RGBAToHexA(rgba) {
  ...
    
  let r = (+rgba[0]).toString(16),
      g = (+rgba[1]).toString(16),
      b = (+rgba[2]).toString(16),
      a = Math.round(+rgba[3] * 255).toString(16);

  if (r.length == 1)
    r = "0" + r;
  if (g.length == 1)
    g = "0" + g;
  if (b.length == 1)
    b = "0" + b;
  if (a.length == 1)
    a = "0" + a;

  return "#" + r + g + b + a;
}

Now the function supports the following:

  • rgba(255,25,2,0.5)
  • rgba(255 25 2 / 0.5)
  • rgba(50%,30%,10%,0.5)
  • rgba(50%,30%,10%,50%)
  • rgba(50% 30% 10% / 0.5)
  • rgba(50% 30% 10% / 50%)

Hex to RGB

We know that the length of hex values must either be 3 or 6 (plus #). In either case, we begin each red (r), green (g), and blue (b) value with "0x" to convert them to hex. If we provide a 3-digit value, we concatenate the same value twice for each channel. If it’s a 6-digit value, we concatenate the first two for red, next two for green, and last two for blue. To get the values for the final rgb() string, we prepend the variables with + to convert them from strings back to numbers, which will yield the decimals we need.

function hexToRGB(h) {
  let r = 0, g = 0, b = 0;

  // 3 digits
  if (h.length == 4) {
    r = "0x" + h[1] + h[1];
    g = "0x" + h[2] + h[2];
    b = "0x" + h[3] + h[3];

  // 6 digits
  } else if (h.length == 7) {
    r = "0x" + h[1] + h[2];
    g = "0x" + h[3] + h[4];
    b = "0x" + h[5] + h[6];
  }
  
  return "rgb("+ +r + "," + +g + "," + +b + ")";
}

Output RGB with %s from Hex

If we want to return rgb() using percentages, then we can modify the function to utilize an optional isPct parameter like so:

function hexToRGB(h,isPct) {
  let r = 0, g = 0, b = 0;
  isPct = isPct === true;

  if (h.length == 4) {
    r = "0x" + h[1] + h[1];
    g = "0x" + h[2] + h[2];
    b = "0x" + h[3] + h[3];
    
  } else if (h.length == 7) {
    r = "0x" + h[1] + h[2];
    g = "0x" + h[3] + h[4];
    b = "0x" + h[5] + h[6];
  }
    
  if (isPct) {
    r = +(r / 255 * 100).toFixed(1);
    g = +(g / 255 * 100).toFixed(1);
    b = +(b / 255 * 100).toFixed(1);
  }
  
  return "rgb(" + (isPct ? r + "%," + g + "%," + b + "%" : +r + "," + +g + "," + +b) + ")";
}

Under the last if statement, using +s will convert r, g, and b to numbers. Each toFixed(1) along with them will round the result to the nearest tenth. Additionally, we won’t have whole numbers with .0 or the decades old quirk that produces numbers like 0.30000000000000004. Therefore, in the return, we omitted the +s right before the first r, g, and b to prevent NaNs caused by the %s. Now we can use hexToRGB("#ff0",true) to get rgb(100%,100%,0%)!

Hex (#rrggbbaa) to RGBA

The procedure for hex values with alpha should again be similar with the last. We simply detect a 4- or 8-digit value (plus #) then convert the alpha and divide it by 255. To get more precise output but not long decimal numbers for alpha, we can use toFixed(3).

function hexAToRGBA(h) {
  let r = 0, g = 0, b = 0, a = 1;

  if (h.length == 5) {
    r = "0x" + h[1] + h[1];
    g = "0x" + h[2] + h[2];
    b = "0x" + h[3] + h[3];
    a = "0x" + h[4] + h[4];

  } else if (h.length == 9) {
    r = "0x" + h[1] + h[2];
    g = "0x" + h[3] + h[4];
    b = "0x" + h[5] + h[6];
    a = "0x" + h[7] + h[8];
  }
  a = +(a / 255).toFixed(3);

  return "rgba(" + +r + "," + +g + "," + +b + "," + a + ")";
}

Output RGBA with %s from Hex

For a version that outputs percentages, we can do what we did in hexToRGB()—switch r, g, and b to 0–100% when isPct is true.

function hexAToRGBA(h,isPct) {
  let r = 0, g = 0, b = 0, a = 1;
  isPct = isPct === true;
    
  // Handling of digits
  ...

  if (isPct) {
    r = +(r / 255 * 100).toFixed(1);
    g = +(g / 255 * 100).toFixed(1);
    b = +(b / 255 * 100).toFixed(1);
  }
  a = +(a / 255).toFixed(3);

  return "rgba(" + (isPct ? r + "%," + g + "%," + b + "%," + a : +r + "," + +g + "," + +b + "," + a) + ")";
}

Here’s a quick fix if the alpha ought to be a percentage, too: move the statement where a is redefined above the last if statement. Then in that statement, modify a to be like r, g, and b. When isPct is true, a must also gain the %.

function hexAToRGBA(h,isPct) {
  ...
    
  a = +(a / 255).toFixed(3);
  if (isPct) {
    r = +(r / 255 * 100).toFixed(1);
    g = +(g / 255 * 100).toFixed(1);
    b = +(b / 255 * 100).toFixed(1);
    a = +(a * 100).toFixed(1);
  }

  return "rgba(" + (isPct ? r + "%," + g + "%," + b + "%," + a + "%" : +r + "," + +g + "," + +b + "," + a) + ")";
}

When we enter #7f7fff80 now, we should get rgba(127,127,255,0.502) or rgba(49.8%,49.8%,100%,50.2%).

RGB to HSL

Obtaining HSL values from RGB or hex is a bit more challenging because there’s a larger formula involved. First, we must divide the red, green, and blue by 255 to use values between 0 and 1. Then we find the minimum and maximum of those values (cmin and cmax) as well as the difference between them (delta). We need that result as part of calculating the hue and saturation. Right after the delta, let’s initialize the hue (h), saturation (s), and lightness (l).

function RGBToHSL(r,g,b) {
  // Make r, g, and b fractions of 1
  r /= 255;
  g /= 255;
  b /= 255;

  // Find greatest and smallest channel values
  let cmin = Math.min(r,g,b),
      cmax = Math.max(r,g,b),
      delta = cmax - cmin,
      h = 0,
      s = 0,
      l = 0;
}

Next, we need to calculate the hue, which is to be determined by the greatest channel value in cmax (or if all channels are the same). If there is no difference between the channels, the hue will be 0. If cmax is the red, then the formula will be ((g - b) / delta) % 6. If green, then (b - r) / delta + 2. Then, if blue, (r - g) / delta + 4. Finally, multiply the result by 60 (to get the degree value) and round it. Since hues shouldn’t be negative, we add 360 to it, if needed.

function RGBToHSL(r,g,b) {
  ...
  // Calculate hue
  // No difference
  if (delta == 0)
    h = 0;
  // Red is max
  else if (cmax == r)
    h = ((g - b) / delta) % 6;
  // Green is max
  else if (cmax == g)
    h = (b - r) / delta + 2;
  // Blue is max
  else
    h = (r - g) / delta + 4;

  h = Math.round(h * 60);
    
  // Make negative hues positive behind 360°
  if (h < 0)
      h += 360;
}

All that’s left is the saturation and lightness. Let’s calculate the lightness before we do the saturation, as the saturation will depend on it. It’s the sum of the maximum and minimum channel values cut in half ((cmax + cmin) / 2). Then delta will determine what the saturation will be. If it’s 0 (no difference between cmax and cmin), then the saturation is automatically 0. Otherwise, it’ll be 1 minus the absolute value of twice the lightness minus 1 (1 - Math.abs(2 * l - 1)). Once we have these values, we must convert them to values out of 100%, so we multiply them by 100 and round to the nearest tenth. Now we can string together our hsl().

function RGBToHSL(r,g,b) {
  ...
  // Calculate lightness
  l = (cmax + cmin) / 2;

  // Calculate saturation
  s = delta == 0 ? 0 : delta / (1 - Math.abs(2 * l - 1));
    
  // Multiply l and s by 100
  s = +(s * 100).toFixed(1);
  l = +(l * 100).toFixed(1);

  return "hsl(" + h + "," + s + "%," + l + "%)";
}

HSL from RGB in String

For one string, split the argument by comma or space, strip the %s, and localize r, g, and b like we did before.

function RGBToHSL(rgb) {
  let sep = rgb.indexOf(",") > -1 ? "," : " ";
  rgb = rgb.substr(4).split(")")[0].split(sep);

  for (let R in rgb) {
    let r = rgb[R];
    if (r.indexOf("%") > -1) 
      rgb[R] = Math.round(r.substr(0,r.length - 1) / 100 * 255);
  }

  // Make r, g, and b fractions of 1
  let r = rgb[0] / 255,
      g = rgb[1] / 255,
      b = rgb[2] / 255;

  ...
}

RGBA to HSLA

Compared to what we just did to convert RGB to HSL, the alpha counterpart will be basically nothing! We just reuse the code for RGB to HSL (the multi-argument version), leave a alone, and pass a to the returned HSLA. Keep in mind it should be between 0 and 1.

function RGBAToHSLA(r,g,b,a) {
  // Code for RGBToHSL(r,g,b) before return
  ...

  return "hsla(" + h + "," + s + "%," +l + "%," + a + ")";
}

HSLA from RGBA in String

For string values, we apply the splitting and stripping logic again but use the fourth item in rgba for a. Remember the new rgba(r g b / a) syntax? We’re employing the acceptance of it as we did for RGBAToHexA(). Then the rest of the code is the normal RGB-to-HSL conversion.

function RGBAToHSLA(rgba) {
  let sep = rgba.indexOf(",") > -1 ? "," : " ";
  rgba = rgba.substr(5).split(")")[0].split(sep);

  // Strip the slash if using space-separated syntax
  if (rgba.indexOf("/") > -1) 
    rgba.splice(3,1);

  for (let R in rgba) {
    let r = rgba[R];
    if (r.indexOf("%") > -1) {
      let p = r.substr(0,r.length - 1) / 100;

      if (R < 3) { 
        rgba[R] = Math.round(p * 255);
      } else {
        rgba[R] = p;
      }
    }
  }

  // Make r, g, and b fractions of 1
  let r = rgba[0] / 255,
      g = rgba[1] / 255,
      b = rgba[2] / 255,
      a = rgba[3];

  // Rest of RGB-to-HSL logic
  ...
}

Wish to leave the alpha as is? Remove the else statement from the for loop.

for (let R in rgba) {
  let r = rgba[R];
  if (r.indexOf("%") > -1) {
    let p = r.substr(0,r.length - 1) / 100;

    if (R < 3) {
      rgba[R] = Math.round(p * 255);
    }
  }
}

HSL to RGB

It takes slightly less logic to convert HSL back to RGB than the opposite way. Since we’ll use a range of 0–100 for the saturation and lightness, the first step is to divide them by 100 to values between 0 and 1. Next, we find chroma (c), which is color intensity, so that’s (1 - Math.abs(2 * l - 1)) * s. Then we use x for the second largest component (first being chroma), the amount to add to each channel to match the lightness (m), and initialize r, g, b.

function HSLToRGB(h,s,l) {
  // Must be fractions of 1
  s /= 100;
  l /= 100;

  let c = (1 - Math.abs(2 * l - 1)) * s,
      x = c * (1 - Math.abs((h / 60) % 2 - 1)),
      m = l - c/2,
      r = 0,
      g = 0,
      b = 0;
}

The hue will determine what the red, green, and blue should be depending on which 60° sector of the color wheel it lies.

Color wheel
The color wheel divided into 60° segments

Then c and x shall be assigned as shown below, leaving one channel at 0. To get the final RGB value, we add m to each channel, multiply it by 255, and round it.

function HSLToRGB(h,s,l) {
  ...

  if (0 <= h && h < 60) {
    r = c; g = x; b = 0;  
  } else if (60 <= h && h < 120) {
    r = x; g = c; b = 0;
  } else if (120 <= h && h < 180) {
    r = 0; g = c; b = x;
  } else if (180 <= h && h < 240) {
    r = 0; g = x; b = c;
  } else if (240 <= h && h < 300) {
    r = x; g = 0; b = c;
  } else if (300 <= h && h < 360) {
    r = c; g = 0; b = x;
  }
  r = Math.round((r + m) * 255);
  g = Math.round((g + m) * 255);
  b = Math.round((b + m) * 255);

  return "rgb(" + r + "," + g + "," + b + ")";
}

RGB from HSL in String

For the single string version, we modify the first few statements basically the same way we did for RGBToHSL(r,g,b). Remove s /= 100; and l /= 100; and we’ll use the new statements to wipe the first 4 characters and the ) for our array of HSL values, then the %s from s and l before dividing them by 100.

function HSLToRGB(hsl) {
  let sep = hsl.indexOf(",") > -1 ? "," : " ";
  hsl = hsl.substr(4).split(")")[0].split(sep);

  let h = hsl[0],
      s = hsl[1].substr(0,hsl[1].length - 1) / 100,
      l = hsl[2].substr(0,hsl[2].length - 1) / 100;

  ...
}

The next handful of statements shall handle hues provided with a unit—degrees, radians, or turns. We multiply radians by 180/π and turns by 360. If the result ends up over 360, we compound modulus divide to keep it within the scope. All of this will happen before we deal with c, x, and m.

function HSLToRGB(hsl) {
  ...

  // Strip label and convert to degrees (if necessary)
  if (h.indexOf("deg") > -1) 
    h = h.substr(0,h.length - 3);
  else if (h.indexOf("rad") > -1)
    h = Math.round(h.substr(0,h.length - 3) * (180 / Math.PI));
  else if (h.indexOf("turn") > -1)
    h = Math.round(h.substr(0,h.length - 4) * 360);
  // Keep hue fraction of 360 if ending up over
  if (h >= 360)
    h %= 360;
    
  // Conversion to RGB begins
  ...
}

After implementing the steps above, now the following can be safely used:

  • hsl(180 100% 50%)
  • hsl(180deg,100%,50%)
  • hsl(180deg 100% 50%)
  • hsl(3.14rad,100%,50%)
  • hsl(3.14rad 100% 50%)
  • hsl(0.5turn,100%,50%)
  • hsl(0.5turn 100% 50%)

Whew, that’s quite the flexibility!

Output RGB with %s from HSL

Similarly, we can modify this function to return percent values just like we did in hexToRGB().

function HSLToRGB(hsl,isPct) {
  let sep = hsl.indexOf(",") > -1 ? "," : " ";
  hsl = hsl.substr(4).split(")")[0].split(sep);
  isPct = isPct === true;

  ...

  if (isPct) {
    r = +(r / 255 * 100).toFixed(1);
    g = +(g / 255 * 100).toFixed(1);
    b = +(b / 255 * 100).toFixed(1);
  }

  return "rgb("+ (isPct ? r + "%," + g + "%," + b + "%" : +r + "," + +g + "," + +b) + ")";
}

HSLA to RGBA

Once again, handling alphas will be a no-brainer. We can reapply the code for the original HSLToRGB(h,s,l) and add a to the return.

function HSLAToRGBA(h,s,l,a) {
  // Code for HSLToRGB(h,s,l) before return
  ...

  return "rgba(" + r + "," + g + "," + b + "," + a + ")";
}

RGBA from HSLA in String

Changing it to one argument, the way we’ll handle strings here will be not too much different than what we did earlier. A new HSLA syntax from Colors Level 4 uses (value value value / value) just like RGBA, so having the code to handle it, we’ll be able to plug in something like hsla(210 100% 50% / 0.5) here.

function HSLAToRGBA(hsla) { 
  let sep = hsla.indexOf(",") > -1 ? "," : " ";
  hsla = hsla.substr(5).split(")")[0].split(sep);

  if (hsla.indexOf("/") > -1)
    hsla.splice(3,1);

  let h = hsla[0],
      s = hsla[1].substr(0,hsla[1].length - 1) / 100,
      l = hsla[2].substr(0,hsla[2].length - 1) / 100,
      a = hsla[3];
        
  if (h.indexOf("deg") > -1)
    h = h.substr(0,h.length - 3);
  else if (h.indexOf("rad") > -1)
    h = Math.round(h.substr(0,h.length - 3) * (180 / Math.PI));
  else if (h.indexOf("turn") > -1)
    h = Math.round(h.substr(0,h.length - 4) * 360);
  if (h >= 360)
    h %= 360;

  ...
}

Furthermore, these other combinations have become possible:

  • hsla(180,100%,50%,50%)
  • hsla(180 100% 50% / 50%)
  • hsla(180deg,100%,50%,0.5)
  • hsla(3.14rad,100%,50%,0.5)
  • hsla(0.5turn 100% 50% / 50%)

RGBA with %s from HSLA

Then we can replicate the same logic for outputting percentages, including alpha. If the alpha should be a percentage (searched in pctFound), here’s how we can handle it:

  1. If r, g, and b are to be converted to percentages, then a should be multiplied by 100, if not already a percentage. Otherwise, drop the %, and it’ll be added back in the return.
  2. If r, g, and b should be left alone, then remove the % from a and divide a by 100.
function HSLAToRGBA(hsla,isPct) {
  // Code up to slash stripping
  ...
    
  isPct = isPct === true;
    
  // h, s, l, a defined to rounding of r, g, b
  ...
    
  let pctFound = a.indexOf("%") > -1;
    
  if (isPct) {
    r = +(r / 255 * 100).toFixed(1);
    g = +(g / 255 * 100).toFixed(1);
    b = +(b / 255 * 100).toFixed(1);
    if (!pctFound) {
      a *= 100;
    } else {
      a = a.substr(0,a.length - 1);
    }
        
  } else if (pctFound) {
    a = a.substr(0,a.length - 1) / 100;
  }

  return "rgba("+ (isPct ? r + "%," + g + "%," + b + "%," + a + "%" : +r + ","+ +g + "," + +b + "," + +a) + ")";
}

Hex to HSL

You might think this one and the next are crazier processes than the others, but they merely come in two parts with recycled logic. First, we convert the hex to RGB. That gives us the base 10s we need to convert to HSL.

function hexToHSL(H) {
  // Convert hex to RGB first
  let r = 0, g = 0, b = 0;
  if (H.length == 4) {
    r = "0x" + H[1] + H[1];
    g = "0x" + H[2] + H[2];
    b = "0x" + H[3] + H[3];
  } else if (H.length == 7) {
    r = "0x" + H[1] + H[2];
    g = "0x" + H[3] + H[4];
    b = "0x" + H[5] + H[6];
  }
  // Then to HSL
  r /= 255;
  g /= 255;
  b /= 255;
  let cmin = Math.min(r,g,b),
      cmax = Math.max(r,g,b),
      delta = cmax - cmin,
      h = 0,
      s = 0,
      l = 0;

  if (delta == 0)
    h = 0;
  else if (cmax == r)
    h = ((g - b) / delta) % 6;
  else if (cmax == g)
    h = (b - r) / delta + 2;
  else
    h = (r - g) / delta + 4;

  h = Math.round(h * 60);

  if (h < 0)
    h += 360;

  l = (cmax + cmin) / 2;
  s = delta == 0 ? 0 : delta / (1 - Math.abs(2 * l - 1));
  s = +(s * 100).toFixed(1);
  l = +(l * 100).toFixed(1);

  return "hsl(" + h + "," + s + "%," + l + "%)";
}

Hex (#rrggbbaa) to HSLA

There aren’t too many lines that change in this one. We’ll repeat what we recently did to get the alpha by converting the hex, but won’t divide it by 255 right away. First, we must get the hue, saturation, and lightness as we did in the other to-HSL functions. Then, before the ending return, we divide the alpha and set the decimal places.

function hexAToHSLA(H) {
  let r = 0, g = 0, b = 0, a = 1;

  if (H.length == 5) {
    r = "0x" + H[1] + H[1];
    g = "0x" + H[2] + H[2];
    b = "0x" + H[3] + H[3];
    a = "0x" + H[4] + H[4];
  } else if (H.length == 9) {
    r = "0x" + H[1] + H[2];
    g = "0x" + H[3] + H[4];
    b = "0x" + H[5] + H[6];
    a = "0x" + H[7] + H[8];
  }

  // Normal conversion to HSL
  ...
        
  a = (a / 255).toFixed(3);
                
  return "hsla("+ h + "," + s + "%," + l + "%," + a + ")";
}

HSL to Hex

This one starts as a conversion to RGB, but there’s an extra step to the Math.round()s of converting the RGB results to hex.

function HSLToHex(h,s,l) {
  s /= 100;
  l /= 100;

  let c = (1 - Math.abs(2 * l - 1)) * s,
      x = c * (1 - Math.abs((h / 60) % 2 - 1)),
      m = l - c/2,
      r = 0,
      g = 0, 
      b = 0; 

  if (0 <= h && h < 60) {
    r = c; g = x; b = 0;
  } else if (60 <= h && h < 120) {
    r = x; g = c; b = 0;
  } else if (120 <= h && h < 180) {
    r = 0; g = c; b = x;
  } else if (180 <= h && h < 240) {
    r = 0; g = x; b = c;
  } else if (240 <= h && h < 300) {
    r = x; g = 0; b = c;
  } else if (300 <= h && h < 360) {
    r = c; g = 0; b = x;
  }
  // Having obtained RGB, convert channels to hex
  r = Math.round((r + m) * 255).toString(16);
  g = Math.round((g + m) * 255).toString(16);
  b = Math.round((b + m) * 255).toString(16);

  // Prepend 0s, if necessary
  if (r.length == 1)
    r = "0" + r;
  if (g.length == 1)
    g = "0" + g;
  if (b.length == 1)
    b = "0" + b;

  return "#" + r + g + b;
}

Hex from HSL in String

Even the first few lines of this function will be like those in HSLToRGB() if we changed it to accept a single string. This is how we’ve been obtaining the hue, saturation, and lightness separately in the first place. Let’s not forget the step to remove the hue label and convert to degrees, too. All of this will be in place of s /= 100; and l /= 100;.

function HSLToHex(hsl) { 
  let sep = hsl.indexOf(",") > -1 ? "," : " ";
  hsl = hsl.substr(4).split(")")[0].split(sep);

  let h = hsl[0],
      s = hsl[1].substr(0,hsl[1].length - 1) / 100,
      l = hsl[2].substr(0,hsl[2].length - 1) / 100;
        
  // Strip label and convert to degrees (if necessary)
  if (h.indexOf("deg") > -1)
    h = h.substr(0,h.length - 3);
  else if (h.indexOf("rad") > -1)
    h = Math.round(h.substr(0,h.length - 3) * (180 / Math.PI));
  else if (h.indexOf("turn") > -1)
    h = Math.round(h.substr(0,h.length - 4) * 360);
  if (h >= 360)
    h %= 360;

  ...
}

HSLA to Hex (#rrggbbaa)

Adding alpha to the mix, we convert a to hex and add a fourth if to prepend a 0, if necessary. You probably already familiar with this logic because we last used it in RGBAToHexA().

function HSLAToHexA(h,s,l,a) {
  // Repeat code from HSLToHex(h,s,l) until 3 `toString(16)`s
  ...

  a = Math.round(a * 255).toString(16);

  if (r.length == 1)
    r = "0" + r;
  if (g.length == 1)
    g = "0" + g;
  if (b.length == 1)
    b = "0" + b;
  if (a.length == 1)
    a = "0" + a;

  return "#" + r + g + b + a;
}

Hex (#rrggbbaa) from HSLA in String

Finally, the lines of the single argument version up to a = hsla[3] are no different than those of HSLAToRGBA().

function HSLAToHexA(hsla) {
  let sep = hsla.indexOf(",") > -1 ? "," : " ";
  hsla = hsla.substr(5).split(")")[0].split(sep);
    
  // Strip the slash
  if (hsla.indexOf("/") > -1)
    hsla.splice(3,1);
    
  let h = hsla[0],
      s = hsla[1].substr(0,hsla[1].length - 1) / 100,
      l = hsla[2].substr(0,hsla[2].length - 1) / 100,
      a = hsla[3];
            
  ...
}

Built-in Names

To convert a named color to RGB, hex, or HSL, you might consider turning this table of 140+ names and hex values into a massive object at the start. The truth is that we really don’t need one because here’s what we can do:

  1. Create an element
  2. Give it a text color
  3. Obtain the value of that property
  4. Remove the element
  5. Return the stored color value, which will be in RGB by default

So, our function to get RGB will only be seven statements!

function nameToRGB(name) {
  // Create fake div
  let fakeDiv = document.createElement("div");
  fakeDiv.style.color = name;
  document.body.appendChild(fakeDiv);

  // Get color of div
  let cs = window.getComputedStyle(fakeDiv),
      pv = cs.getPropertyValue("color");

  // Remove div after obtaining desired color value
  document.body.removeChild(fakeDiv);

  return pv;
}

Let’s go even further. How about we change the output to hex instead?

function nameToHex(name) {
  // Get RGB from named color in temporary div
  let fakeDiv = document.createElement("div");
  fakeDiv.style.color = name;
  document.body.appendChild(fakeDiv);

  let cs = window.getComputedStyle(fakeDiv),
      pv = cs.getPropertyValue("color");

  document.body.removeChild(fakeDiv);

  // Code ripped from RGBToHex() (except pv is substringed)
  let rgb = pv.substr(4).split(")")[0].split(","),
      r = (+rgb[0]).toString(16),
      g = (+rgb[1]).toString(16),
      b = (+rgb[2]).toString(16);

  if (r.length == 1)
    r = "0" + r;
  if (g.length == 1)
    g = "0" + g;
  if (b.length == 1)
    b = "0" + b;

  return "#" + r + g + b;
}

Or, why not HSL? 😉

function nameToHSL(name) {
  let fakeDiv = document.createElement("div");
  fakeDiv.style.color = name;
  document.body.appendChild(fakeDiv);

  let cs = window.getComputedStyle(fakeDiv),
      pv = cs.getPropertyValue("color");

  document.body.removeChild(fakeDiv);

  // Code ripped from RGBToHSL() (except pv is substringed)
  let rgb = pv.substr(4).split(")")[0].split(","),
      r = rgb[0] / 255,
      g = rgb[1] / 255,
      b = rgb[2] / 255,
      cmin = Math.min(r,g,b),
      cmax = Math.max(r,g,b),
      delta = cmax - cmin,
      h = 0,
      s = 0,
      l = 0;

  if (delta == 0)
    h = 0;
  else if (cmax == r)
    h = ((g - b) / delta) % 6;
  else if (cmax == g)
    h = (b - r) / delta + 2;
  else
    h = (r - g) / delta + 4;

  h = Math.round(h * 60);

  if (h < 0)
    h += 360;

  l = (cmax + cmin) / 2;
  s = delta == 0 ? 0 : delta / (1 - Math.abs(2 * l - 1));
  s = +(s * 100).toFixed(1);
  l = +(l * 100).toFixed(1);

  return "hsl(" + h + "," + s + "%," + l + "%)";
}

In the long run, every conversion from a name becomes a conversion from RGB after cracking the name.

Validating Colors

In all these functions, there haven’t been any measures to prevent or correct ludicrous input (say hues over 360 or percentages over 100). If we’re only manipulating pixels on a fetched using getImageData(), validation of color values isn’t necessary before converting because they’ll be correct no matter what. If we’re creating a color conversion tool where users supply the color, then validation would be much needed.

It’s easy to handle improper input for channels as separate arguments, like this for RGB:

// Correct red
if (r > 255)
  r = 255;
else if (r < 0)
  r = 0;

If validating a whole string, then a regular expression is needed. For instance, this is the RGBToHex() function given a validation step with an expression:

function RGBToHex(rgb) {
  // Expression for rgb() syntaxes
  let ex = /^rgb\((((((((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5]),\s?)){2}|((((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5])\s)){2})((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5]))|((((([1-9]?\d(\.\d+)?)|100|(\.\d+))%,\s?){2}|((([1-9]?\d(\.\d+)?)|100|(\.\d+))%\s){2})(([1-9]?\d(\.\d+)?)|100|(\.\d+))%))\)$/i;

  if (ex.test(rgb)) {
    // Logic to convert RGB to hex
    ...

  } else {
    // Something to do if color is invalid
  }
}

To test other types of values, below is a table of expressions to cover both opaque and alpha-enabled:

Color ValueRegEx
RGB/^rgb\((((((((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5]),\s?)){2}|((((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5])\s)){2})((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5]))|((((([1-9]?\d(\.\d+)?)|100|(\.\d+))%,\s?){2}|((([1-9]?\d(\.\d+)?)|100|(\.\d+))%\s){2})(([1-9]?\d(\.\d+)?)|100|(\.\d+))%))\)$/i
RGBA/^rgba\((((((((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5]),\s?)){3})|(((([1-9]?\d(\.\d+)?)|100|(\.\d+))%,\s?){3}))|(((((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5])\s){3})|(((([1-9]?\d(\.\d+)?)|100|(\.\d+))%\s){3}))\/\s)((0?\.\d+)|[01]|(([1-9]?\d(\.\d+)?)|100|(\.\d+))%)\)$/i
Hex/^#([\da-f]{3}){1,2}$/i
Hex (with Alpha)/^#([\da-f]{4}){1,2}$/i
HSL/^hsl\(((((([12]?[1-9]?\d)|[12]0\d|(3[0-5]\d))(\.\d+)?)|(\.\d+))(deg)?|(0|0?\.\d+)turn|(([0-6](\.\d+)?)|(\.\d+))rad)((,\s?(([1-9]?\d(\.\d+)?)|100|(\.\d+))%){2}|(\s(([1-9]?\d(\.\d+)?)|100|(\.\d+))%){2})\)$/i
HSLA/^hsla\(((((([12]?[1-9]?\d)|[12]0\d|(3[0-5]\d))(\.\d+)?)|(\.\d+))(deg)?|(0|0?\.\d+)turn|(([0-6](\.\d+)?)|(\.\d+))rad)(((,\s?(([1-9]?\d(\.\d+)?)|100|(\.\d+))%){2},\s?)|((\s(([1-9]?\d(\.\d+)?)|100|(\.\d+))%){2}\s\/\s))((0?\.\d+)|[01]|(([1-9]?\d(\.\d+)?)|100|(\.\d+))%)\)$/i

Looking at the expressions for RGB(A) and HSL(A), you probably have big eyes right now; these were made comprehensive enough to include most of the new syntaxes from CSS Colors Level 4. Hex, on the other hand, doesn’t need expressions as long as the others because of only digit counts. In a moment, we’ll dissect these and decipher the parts. Note that case-insensitive values (/i) pass all these.

RGB

/^rgb\((((((((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5]),\s?)){2}|((((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5])\s)){2})((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5]))|((((([1-9]?\d(\.\d+)?)|100|(\.\d+))%,\s?){2}|((([1-9]?\d(\.\d+)?)|100|(\.\d+))%\s){2})(([1-9]?\d(\.\d+)?)|100|(\.\d+))%))\)$/i

Because rgb() accepts either all integers or all percentages, both cases are covered. In the outmost group, between the ^rgb\( and \)$, there are inner groups for both integers and percentages, all comma-spaces or spaces only as separators:

  1. (((((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5]),\s?){2}|(((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5])\s){2})((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5]))
  2. ((((([1-9]?\d(\.\d+)?)|100|(\.\d+))%,\s?){2}|((([1-9]?\d(\.\d+)?)|100|(\.\d+))%\s){2})(([1-9]?\d(\.\d+)?)|100|(\.\d+))%)

In the first half, we accept two instances of integers for red and green from 0–99 or 111-199 ((1?[1-9]?\d)), 100–109 (10\d), 200-249 ((2[0-4]\d)), or 250–255 (25[0-5]). We couldn’t simply do \d{1,3} because values like 03 or 017 and those greater than 255 shouldn’t be allowed. After that goes the comma and optional space (,\s?). On the other side of the |, after the first {2} (which indicates two instances of integers), we check for the same thing with space separators if the left side is false. Then for blue, the same should be accepted, but without a separator.

In the other half, acceptable values for percentages, including floats, should either be 0–99, explicitly 100 and not a float, or floats under 1 with the 0 dropped. Therefore, the segment here is (([1-9]?\d(\.\d+)?)|100|(\.\d+)), and it appears three times; twice with separator (,\s?){2}, %\s){2}), once without.

It is legal to use percentages without space separators (rgb(100%50%10%) for instance) in CSS, but the functions we wrote don’t support that. The same goes for rgba(100%50%10%/50%), hsl(40 100%50%), and hsla(40 100%50%/0.5). This could very well be a plus for code golfing and minification!

RGBA

/^rgba\((((((((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5]),\s?)){3})|(((([1-9]?\d(\.\d+)?)|100|(\.\d+))%,\s?){3}))|(((((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5])\s){3})|(((([1-9]?\d(\.\d+)?)|100|(\.\d+))%\s){3}))\/\s)((0?\.\d+)|[01]|(([1-9]?\d(\.\d+)?)|100|(\.\d+))%)\)$/i

The next expression is very similar to the pervious, but three instances of integers (((((1?[1-9]?\d)|10\d|(2[0-4]\d)|25[0-5]),\s?){3})) or percentages ((((([1-9]?\d(\.\d+)?)|100|(\.\d+))%,\s?){3})), plus comma optional space are checked. Otherwise, it looks for the same thing but with space separators, plus a slash and space (\/\s) after the blue. Next to that is ((0?\.\d+)|[01]|(([1-9]?\d(\.\d+)?)|100|(\.\d+))%) where we accept floats with or without the first 0 ((0?\.\d+)), 0 or 1 ([01]) on the dot, or 0–100% ((([1-9]?\d(\.\d+)?)|100|(\.\d+))%).

Hex with Alpha

// #rgb/#rrggbb
/^#([\da-f]{3}){1,2}$/i
// #rgba/#rrggbbaa
/^#([\da-f]{4}){1,2}$/i

For both hex—with and without alpha—instances of numbers or letters a–f ([\da-f]) are accepted. Then one or two instances of this are counted for either short or longhand values supplied (#rgb or #rrggbb). As an illustration, we have this same short pattern: /^#([\da-f]{n}){1,2}$/i. Simply change n to 3 or 4.

HSL and HSLA

// HSL
/^hsl\((((((\[12]?[1-9]?\d)|[12]0\d|(3[0-5]\d))(\.\d+)?)|(\.\d+))(deg)?|(0|0?\.\d+)turn|(([0-6\\.\d+)?)|(\.\d+))rad)((,\s?(([1-9]?\d(\.\d+)?)|100|(\.\d+))%){2}|(\s(([1-9]?\d(\.\d+)?)|100|(\.\d+))%){2})\)$/i
// HSLA
/^hsla\((((((\[12]?[1-9]?\d)|[12]0\d|(3[0-5]\d))(\.\d+)?)|(\.\d+))(deg)?|(0|0?\.\d+)turn|(([0-6\\.\d+)?)|(\.\d+))rad)(((,\s?(([1-9]?\d(\.\d+)?)|100|(\.\d+))%){2},\s?)|((\s(([1-9]?\d(\.\d+)?)|100|(\.\d+))%){2}\s\/\s))((0?\.\d+)|[01]|(([1-9]?\d(\.\d+)?)|100|(\.\d+))%)\)$/i

After the \( in both expressions for HSL and HSLA, this large chunk is for the hue:

(((((\[12]?[1-9]?\d)|[12]0\d|(3[0-5]\d))(\.\d+)?)|(\.\d+))(deg)?|(0|0?\.\d+)turn|(([0-6\\.\d+)?)|(\.\d+))rad)

([12]?[1-9]?\d) covers 0–99, 110–199, and 210–299. [12]0\d covers 110–109 and 200–209. Then (3[0-5]\d) takes care of 300–359. The reason for this division of ranges is similar to that of integers in the rgb() syntax: ruling out zeros coming first and values greater than the maximum. Since hues can be floating point numbers, the first (\.\d+)? is for that.

Next to the | after the aforementioned segment of code, the second (\.\d+) is for floats without a leading zero.

Now let’s move up a level and decipher the next small chunk:

(deg)?|(0|0?\.\d+)turn|((\[0-6\\.\d+)?)|(\.\d+))rad

This contains the labels we can use for the hue—degrees, turns, or radians. We can include all or none of deg. Values in turn must be under 1. For radians, we can accept any float between 0–7. We do know, however, that one 360° turn is 2π, and it stops approximately at 6.28. You may think 6.3 and over shouldn’t be accepted. Because 2π is an irrational number, it would be too messy for this example to try to satisfy every decimal place provided by the JavaScript console. Besides, we have this snippet in our HSLTo_() functions as a second layer of security if hues 360° or over were to happen:

// Keep hue fraction of 360 if ending up over
if (h >= 360)
  h %= 360;

Now let’s move up a level and decipher the second chunk:

(,\s?(([1-9]?\d(\.\d+)?)|100|(\.\d+))%){2}

We’re counting two instances of comma-space-percentages for the saturation and lightness (space optional). In the group after the ,\s?, we test for values 0–99 with or without decimal points (([1-9]?\d(\.\d+)?)), exactly 100, or floats under 1 without the leading 0 ((\.\d+)).

The last part the HSL expression, before the ending (\)$/i), is a similar expression if spaces are the only separator:

(\s(([1-9]?\d(\.\d+)?)|100|(\.\d+))%){2}

\s is in the beginning instead of ,\s?. Then in the HSLA expression, this same chunk is inside another group with ,\s? after its {2}.

((,\s?(([1-9]?\d(\.\d+)?)|100|(\.\d+))%){2},\s?)

That counts the comma-space between the lightness and alpha. Then if we have spaces as separators, we need to check for a space-slash-space (\s\/\s) after counting two instances of space and a percentage.

((\s(([1-9]?\d(\.\d+)?)|100|(\.\d+))%){2}\s\/\s))

After that, we have this left to check the alpha value:

(((0?\.\d+)|[01])|(([1-9]?\d(\.\d+)?)|100|(\.\d+))%)

Matches for (0?\.\d+) include floats under 1 with or without the leading 0, 0 or 1 for [01], and 0–100%.

Conclusion

If your current challenge is to convert one color space to another, you now have some ideas on how to approach it. Because it would be tiresome to walk through converting every color space ever invented in one post, we discussed the most practical and browser-supported ones. If you’d like to go beyond supported color spaces (say CMYK, XYZ, or CIE Lab*), EasyRGB) provides an amazing set of code-ready formulas.

To see all the conversions demonstrated here, I’ve set up a CodePen demo that shows inputs and outputs in a table. You can try different colors in lines 2–10 and see the complete functions in the JavaScript panel.


Converting Color Spaces in JavaScript originally published on CSS-Tricks, which is part of the DigitalOcean family. You should get the newsletter.

]]>
https://css-tricks.com/converting-color-spaces-in-javascript/feed/ 6 280978
A Nerd’s Guide to Color on the Web https://css-tricks.com/nerds-guide-color-web/ https://css-tricks.com/nerds-guide-color-web/#comments Mon, 12 Sep 2016 13:50:54 +0000 http://css-tricks.com/?p=245208 There are a lot of ways to work with color on the web. I think it’s helpful to understand the mechanics behind what you’re using, and color is no exception. Let’s delve into some of the technical details of color …


A Nerd’s Guide to Color on the Web originally published on CSS-Tricks, which is part of the DigitalOcean family. You should get the newsletter.

]]>
There are a lot of ways to work with color on the web. I think it’s helpful to understand the mechanics behind what you’re using, and color is no exception. Let’s delve into some of the technical details of color on the web.

Color mixing

A huge part of working with color is understanding that the way that you used color as a child doesn’t work the same as how you use color on a computer because of color mixing. As a child, you’re working with paint. Paint and inks from a printer have tiny particles called pigments that mix together and reflect to present color to your eye. This is subtractive color mixing. The more colors you add to it, the darker it becomes, until we get brown. Primaries are close to what you’re used to: red, yellow, blue. But when you mix these colors with subtractive color mixing, you arrive at brown.

On a computer (or any monitor), we’re working with light. Which means that when all of the colors mix together, they make white. Before Isaac Newton’s famous prism color experiment, color was believed to be contained within objects rather than reflected and absorbed from the object. Isaac Newton used a prism to prove his theory that sunlight or bright white light was in fact several colors by using the prism to split apart the colors to make a rainbow, and then subsequently using a prism to attempt to further split the blue. The blue did not split, showing that the color wasn’t within the prism, but rather that the prism was splitting the light. This means that in additive color mixing, the type of color mixing you get in a monitor, red green and blue can be used to produce all colors, or rgb. In this type of mixing, red and green create yellow.

Monitors are many combinations of small bits of light combined that resonate to create a myriad of colors. Resolution refers to the number of individual dots of color, known as pixels, contained on a display. Before we had monitors, artists were using this type of light frequency. Seurat and the Pointillists used red and green to create yellow in paintings like “La Grande Jatte” (though he preferred the term chromo-luminarism. Others called it divisionism) This type of painting was created under the belief that optical mixing created more pure resonance in your eye that traditional subtractive pigment color mixing.

Monitors are made in a few different display modes that change the way we perceive color through them. We express this the term “color bit depth”. The number of colors that can be displayed at one time is determined by this color bit depth. If we have a bit depth of 1, we can produce two colors, or monochrome. Bit depth of two levels creates 4, and so on until we reach a bit-depth of 32, though commonly monitors that project the web have 24 bit-depth density and 16,777,216 colors which is True Color and Alpha Channel.

We call this True Color because our human eyes can discern 10,000,000 unique colors, so 24-bit depth will certainly allow for this. In this 24-bit depth, 8 bits are dedicated to red, green, and blue. The rest are used for transparency or alpha channels.

Let’s use this information to unpack our available color properties on the web.

Color values

RGB Values

The last section illustrates what rbga(x, x, x, y); communicates, but let’s break that down a bit more, and show some other properties and their uses. In terms of web color values in an RGB channel, we specify color on a range from 0-255.

x is a number from 0-255
y is a number from 0.0 to 1.0
rgb(x, x, x); or rgba(x, x, x, y);

Example: rbga(150, 150, 150, 0.5);

Hex Values

Hex colors are a slightly different format to represent the values in the same way. Hex values are probably the most common way developers designate color on the web.

If you recall that a byte is 8 bits, each Hex color or number represents a byte. A color is specified according to the intensity of its red, green and blue components, so we call it a triplet, with each expressed in two places. One byte represents a number in the range 00 to FF (in hexadecimal notation), or 0 to 255 in decimal notation. Byte 1 is Red, byte 2 is green, and byte 3 is blue. Hexadecimal is named this because it uses a base 16 system. The values use ranges from 0-9 and A-F, 0 being the lowest value and F being the highest, or #00000 being black and #FFFFFF being white.

For triplets with repeated values, you can eliminate the repetition by writing in shorthand, for instance, #00FFFF becomes #0FF. This system is easy for computers to understand, and it pretty short to write, which makes it useful for quick copy paste and designation in programming. If you’re going to work with colors in a more involved way, though, HSL is a little bit more human-readable.

HSL Values

Hsl values work with similar semantics and ranges as rgb, but rather than working with values as the monitor interprets the colors, hsl values work with hue, saturation, lightness values. This looks syntactically similar to rgb values but the ranges are different. This system is based on a Munsell color system (he was the first to separate out color into these three channels, or create a three dimensional system based on mathematical principles tied to actual human vision).

Hue, Saturation and Lightness can be represented as a three-dimensional model.

Hue rotates in 360 degrees, a full circle, while saturation and lightness are percentages from 0 to 100.

x is a number from 0 - 360
y is a percentage from 0% to 100%
z is a number from 0.0 to 1.0
hsl(x, y, y); or hsla(x, y, y, z);

Example: hsla(150, 50%, 50%, 0.5);

It’s a relatively easy change (around 11 lines of code, to be precise) for the browsers to exchange between rgb and hsl values, but for us humans, the use of hsl can be a lot easier to interpret. Imagine a wheel, with dense and saturated content at the center. This demo does a pretty good job of showing how it’s expressed.

Chris also made a nifty tool a few years back called the hsla explorer, which you can check out here.

If you don’t feel particularly skilled working with color, hsla() allows for some pretty simple rules to create nice effects for developers. We cover more about this in the generative color section below.

Named Colors

Named colors are also available to us as developers. Named colors, though, have a reputation for being difficult to work with due to their imprecision. The most notable and “famous” examples are that dark grey is actually lighter than grey and lime and limegreen are totally different colors. There’s even a game where you can try to guess named colors on the web, made by Chris Heilmann. Back in the old days, chucknorris was a blood red color (it’s only supported in HTML now as far as I can tell), but that was my favorite. Named colors can be useful for demonstrating color use quickly, but typically developers use Sass or other preprocessors to store color values by hex, rgba, or hsla and map them to color names used within the company.

Color Variables

A good practice is to store color variables and never use them directly, mapping them instead to other variables with more semantic naming schemes. CSS has native variables, like:

:root {
  --brandColor: red;
}

body {
  background: var(--brandColor);
}

But they are fairly new and haven’t made their way into Microsoft browsers at the time of this writing.

CSS preprocessors also support variables, so you can set up variables like $brandPrimary to use through your code base. Or a map:

$colors: (
  mainBrand: #FA6ACC,
  secondaryBrand: #F02A52,
  highlight: #09A6E4
);

@function color($key) {
  @if map-has-key($colors, $key) {
    @return map-get($colors, $key);
  }

  @warn "Unknown `#{$key}` in $colors.";
  @return null;
}

// _component.scss
.element {
  background-color: color(highlight); // #09A6E4
}

Remember that naming is important here. Abstract naming is sometimes useful so that if you change a variable that was representing a blue color to an orange color, you don’t have to go through and rename all of your color values. Or worse yet, put up a sign that says “$blue is orange now.” *sad trombone noise*

currentColor

currentColor is an incredibly useful value. It respects the cascade, and is useful for extending a color value to things like box shadows, outlines, borders, or even backgrounds.

Let’s say you have created a div and then inside it another div. This would create orange borders for the internal div:

.div-external { color: orange; }
.div-internal { border: 1px solid currentColor; }

This is incredibly useful for icon systems, either SVG icons for icon fonts. You can set currentColor as the default for the fill, stroke, or color, and then use semantically appropriate CSS classes to style the sucker.

Preprocessors

CSS preprocessors are great for tweaking colors. Here’s some links to different preprocessors documentation on color functions:

Here are a few of the cool things we can specifically with Sass:

mix($color1, $color2, [$weight])
adjust-hue($color, $degrees)
lighten($color, $amount)
darken($color, $amount)
saturate($color, $amount)

There are truthfully dozens of ways to programmatically mix and alter colors with preprocessors, and we won’t go into depth for all of them, but here’s a great interactive resource for more in-depth information.

Color Properties

Color, as a CSS property, refers to font color. If you’re setting a color on a large area, you would use background-color, unless it’s an SVG element in which case you would use fill. Border is the border around an HTML element, while stroke is it’s SVG counterpart.

Box and Text Shadows

The box-shadow and text-shadow properties accept a color value. Text shadows accept 2-3 values, h-shadow (horizontal shadow), v-shadow (vertical shadow), and an optional blur-radius. Box shadows take 2-4 values, h-shadow, v-shadow, optional blur distance, and optional spread distance. You can also designate inset at the start to create an inverted shadow. This site has a great demo with easy, pasteable code.

Gradients

Linear gradients work by designating a direction. From/to (depending on the browser prefix) top, bottom, left, right, degrees, or radial-gradients. We then specify color stops and the color we want at each stop. These can accept transparency too.

Here’s an example:

Most of the syntax of gradients isn’t all that difficult to write, but I really enjoy working with this online gradient generator, because it also creates the complicated filter property for IE6-9 support. Here is also a really beautiful UI gradient creator. This one is pretty cool and it is open source and you can contribute to it.

Gradients are similarly easy to create in SVG. We define a block that you reference with an id. We can optionally define a surface area for the gradient as well.

<linearGradient id="Gradient">
  <stop id="stop1" offset="0" stop-color="white" stop-opacity="0" />
  <stop id="stop2" offset="0.3" stop-color="black" stop-opacity="1" />
</linearGradient>

These gradients also support opacity so we can have some nice effects and layer effects like animate them as as a mask.

Gradient text is also possible in webkit only, we have a really a nice code snippet for that here on CSS-Tricks.

Generative Color

There are a few cool ways to drum up a lot of staggering colors at once. I find these to be really fun to play with when creating generative art or UI elements with code.

As long as you stay within the ranges designated in the last sections, you can use for loops in either Sass (or any CSS preprocessor) or JavaScript, or Math.Random() with Math.floor() to retrieve color values. We need Math.floor() or Math.ceil() here because if we don’t return full integers, we’ll get an error and do not get a color value.

A good rule of thumb is that you shouldn’t update all three values. I’ve had good luck with a lot of deviation in one range of values, a smaller deviation in the second set of values, and no deviation for the third, not necessarily in that order. For instance, hsl is very easy to work with to step through color because you know that looping through the hue from 0 to 360 will give you a full range. Another nice grace of hue-rotate in degrees is that because it’s a full circle, you don’t need to stick to ranges of 0 – 360, even -480 or 600 is still a value a browser can interpret.

Sass

@mixin colors($max, $color-frequency) {
  $color: 300/$max;
  
  @for $i from 1 through $max {
    .s#{$i} {
      border: 1px solid hsl(($i - 10)*($color*1.25), ($i - 1)*($color / $color-frequency), 40%);
     }
  }
} 
.demo {
  @include colors(20,2);
}

I use that to make fruit loop colors in this demo:

As well as this one, with a different range (scroll inside the list really fast):

In the code below, I’m using Math.random() within rgb values to drum up a lot of color within the same range. This demo is creating a three-dimensional VR experience with React. I could have stepped through it with a for loop as well, but I wanted the color to be randomized to reflect the movement. Sky’s the limit on this one.

Click on the image to see the full demo.

JavaScript

class App extends React.Component {
  render () {
    const items = [],
          amt1 = 5,
          amt2 = 7;
    for (let i = 0; i < 30; i++) {
     let rando = Math.floor(Math.random() * (amt2 - 0 + 1)) + 0,
          addColor1 = parseInt(rando * i),
          addColor2 = 255 - parseInt(7 * i),
          updateColor = `rgb(200, ${addColor1}, ${addColor2})`;
      items.push(
	    // ...
        );
    }
    return (
      
       // ...
       {items}
      
    );
  }
}

GreenSock came out with a tool that allows you to animate relative color values, which is useful because it means you can grab a lot of elements at once and animate them relative to their current color coordinates. Here are some turtles that demonstrate the idea:

TweenMax.to(".turtle2 path, .turtle2 circle, .turtle2 ellipse", 1.5, {fill:"hsl(+=0, +=50%, +=0%)"});

Other Nice Color Effects

Mix Blend Modes and Background Blend Modes

If you’ve used layer effects in Photoshop, you’re probably familiar with mix blend modes. Almost every site in the 90s used them (mine did. *blush*). Mix and background blend modes composite two different layered images together, and there are 16 modes available. Going through each is beyond the scope of this article, but here are some key examples.

The top image or color is called the source, and the bottom layer is called the destination. The area between the two is where the blending magic happens and is called the backdrop. We’re mixing both according to fairly simple mathematical formulas.

If you want to get really nerdy with me, the color formulas for the blend modes depend on the type of effect used. For instance, multiply is destination × source = backdrop. Other effects are variations of simple math using subtraction, multiplication, addition, and division. Linear is A+B−1, while Color Burn is 1−(1−B)÷A. You don’t really need to know any of these to use them, though.

Here is some more extensive documentation, and here’s a very simple demo to illustrate color working with some of these effects:

This great article by Robin demonstrates some really complex and impressive effects you can achieve from layering multiple blend modes as well. Below we’ll cover mixing them with filters. There’s really a lot you can do in the browser these days.

Filters

CSS Filters provide a lot of cool color effects, as well as the ability to take a colored image and make it greyscale. We have a great resource here on CSS-Tricks that shows how these work, and the browser support is pretty high now. Bennett Feely also has this nice filter gallery if you’re feeling explorative.

Filters and Blur modes can work together! Una Kravets created this cool tool called CSS Gram combining some effects to create typical instagram filters, she has some nice documentation at the bottom.

feColorMatrix

Una has another article exploring the creation of these images with feColorMatrix instead, which is a filter primitive in SVG that can be applied to HTML elements as well. It’s very powerful, and allows you to fine-tune and finesse color. As the name implies, the base markup of feColorMatrix uses a matrix of values, and we apply it using it’s relative id.

<filter id="imInTheMatrix">
    <feColorMatrix in="SourceGraphic"
      type="matrix"
      values="0 0 0 0 0
              1 1 1 1 0
              0 0 0 0 0
              0 0 0 1 0" />
  </filter>

  <path filter="url(#imInTheMatrix)"  … />

We can also extend this matrix and adjust the hue, saturation, etc, of these values:

<filter id="imInTheHueMatrix">
  <feColorMatrix in="SourceGraphic"
    type="hueRotate"
    values="150" />
</filter>

Una’s article goes into depth exploring all of the capabilities here, but you can get even more information on this and a lot of other crazy SVG colors and gradient tools with Amelia Belamy-Royd’s O’Reilly Book, SVG Colors, Patterns & Gradients or Mike Mullany’s exploratory demo.

Accessibility and Other Things to Note about Color

A color is only a color in reference to another color. This is part of what makes color so difficult. You’re probably a little familiar with this in terms of accessibility. A light green on a black may be accessible, but when you change it to a white background it no longer is.

Accessibility in color can be measured with a number of tools. Here are some of my favorites:

It’s also really nice to set up your palette for accessibility from the start. Color Safe is a great tool that helps with that. Once you’re all set up, WAVE (Web Accessibility Tool) will help you evaluate your web page:

Color and Atmosphere

Color is affected by atmosphere, which is a pretty important thing to know if you’re going to create any kind of illusion of depth. Things that are closer to you are in higher saturation, and in more contrast. Things that are further away from you are going to look blurrier.

Landscape showing color contrasts from things closer and farther away

Shadows

Shadows are not grey, they are the compliment of the color of the light. If the light you shine on your hand has a yellow cast, the shadow will appear purple. This is useful knowledge if you’re making any super hip long shadows.

Shadow is the compliment of the color

Native Color Inputs

There is a native browser color selector that you can employ to help your users select colors dynamically. You can write or if you’d like to start off with color hinting. It’s that simple to use. Good job, browsers. One thing to keep in mind is that the way that it will appear will vary slightly from browser to browser, just like any other native controls. This pen from Noah Blon shows how to use that in tandem with a hue CSS color filter to dynamically select portions of an image to change the color of. The rest of image is greyscale, so it’s not affected. Pretty clever.

Fun Developer Stuff and Other Resources

  • The Color Highlighter Plugin for Sublime Text is what I use to easily see what color the browser is going to interpret. I like to use {"ha_style": "outlined"} but I know from this article that Wes Bos prefers “filled”.
  • There are some different traditional palette combinations, and online web resources that can help you drum these up. For the more scientific, Paletton or Adobe Color. Benjamin Knight recreated Adobe’s color tool in d3 on CodePen, which is pretty badass and worth checking out. If you want the web to do the heavy lifting for you (who doesn’t?), Coolors is as simple as can be.
  • If you need help interpreting colors, and want a quick simple tool to exchange types of color properties for you, Colorhexa has you covered in pretty much every type of color exchange you can think of.
  • For the nerdiest of color nerds, you can even have your console output in colors to you. Here’s a great Pen showing how that works.
  • Super Color Palette is a little playground for creating color combinations with a variety of controls and the ability to export colors in differnt image formats, including SVG, JPG, and PNG. It’s a free project with a Discord channel to share your color palettes and talk color nerdery.

Conclusion

The scope of this article is rather large, and the web has a lot of color to delve into, but hopefully this short article gives you a jumping off point for some experimentation and understanding.


A Nerd’s Guide to Color on the Web originally published on CSS-Tricks, which is part of the DigitalOcean family. You should get the newsletter.

]]>
https://css-tricks.com/nerds-guide-color-web/feed/ 16 245208